Separate names with a comma.
Discussion in 'Tab & Music Forum' started by TangerineDog, Aug 5, 2018.
I can sell you some ointment...
There are other strategies for getting out of a creative rut. For instance, see what happens if you pick up a bass guitar, or try a different tuning.
If you know your way round a DAW, there's a way of creating riffs that doesn't even involve playing a musical instrument in the first instance. Find your self a MIDI drum pattern that you'd like your riff to be based on. Drag a copy of the MIDI drum part onto another MIDI track and assign it to a keyboard synth of sampler. It will now start to play a load of discordant nonsense! (Usually.)
In Piano Roll, Score, or whatever environment you usually use to clean up MIDI parts drag the notes the drum pattern is playing to new pitches. Keep going until you like the riff you've created. (You may have to delete some notes if it was a busy drum part.)
Now learn to play it on guitar!
I can't force it... give me a few beers and let me jam.. turn on the recorder... listen to it back... whoa! that riff was awesome! lets start writing a new song
Not that I'm some riff meister but the ones I have come up with in the past that I've been most happy with or lent themselves to song Ideas were usually when I was trying stuff I don't normally do. Same with solos.
Steve Clark... now there's a Riff Meister.
Random noodling produces some interesting riffs from time to time. What drives me crazy is when I think I came up with an awesome riff only to realize it’s sonething from an old song I never played before but recently listened to on the radio. I think it’s a subconscious thing.
From a workingman hack's notebook...
Many times when I feel devoid of creativity, I put DOWN the guitar and spend an hour or two listening to bands or guitarists on YT that might be in the same vein I'm trying to create in. Then, and only then, I pick up the guitar, and while not trying to copy any particular riff or melodic structure, I'll find that whatever I've been listening to I'm actually 'channeling' by osmosis or whatever and it just emerges in what I'm playing.
It's almost as if you are priming the pump.
Yeah, that's what I said...
Seriously, listen to a riff you like...and then just change a note or two and change the rhythm and tempo. All the best do that.
- The Beatles "I Feel Fine" riff is stolen from Bobby Parker's "Watch Your Step"
- The Monkees' "Pleasant Valley Sunday" riff is stolen from The Beatles "I Want To Tell You"
- Nirvana's "Come As You Are" riff is stolen from Killing Joke's "Eighties"
- Joy Division's rhythm riff for "Interzone" is stolen from Nolan Porter's "Keep On Keeping On"
The examples are endless. Just take a riff you like and rework it. Everybody does it...and some have made millions of dollars doing it.
Yeah, just change it up enough so you don't wind up in court over it like poor George Harrison.
("He's So Fine"...seriously?)
I usually screw around with a scale (or the individual notes in a chord) until a cool riff materializes.
This is so true. I've come up with a lot of cool riffs by doing the same thing.
I don't "write" riffs, I just come up with them. Like, all the time. Half of them, or more, I forget. But trust me, they were great. My problem is I don't know where to take them.
Curt Cobain said that "smells like teen spirit" was him trying to play Boston's "more than a feeling" riff.
He didn't know how to play it right and the rest is history
I always believed that it wasn't the Boston song Cobain lifted for "Smells Like Teen Spirit," rather it was the Love And Rockets tune "No New Tale To Tell." Listen to it, starts at 25 seconds in, it really is a lot closer than "More Than A Feeling" plus it was a song that was on the radio/MTV when Nirvana were working on the NEVERMIND album.
It may be.
I was just going by what Cobain said in an interview
On the Sunshine of Your Love solo,Eric Clapton played the melody to Blue Moon.
I almost always develop new ideas worth using during improvisation ... play challenge and response stuff, developing the ideas ... it's how I come up with my "best" stuff ... when I was young, used to write ideas on paper that seemed good (or interesting experiments), but that stuff never was as good as just "feeling" it ... call it intuition or channeling or just keeping the brain out of the way ...
That's fine, take the chord progression and give it a different rhythm. No-one will know. Except us. You shouldn't have told us.
I will know. I won't be able to unhear what it was - same with our reverse record of Highway to Hell.
There's just something missing in there. That 'you've done something yourself' vibe.
They just pop up out of nowhere for me. Usually when I mess up on something else