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Well, Hedrix used the Fuzz Face and the Octavio. And Gilmour has used several Big Muff Pi versions. They have worked very well for both.

They also have the BC '70, which has more gain and sounds great too. It has Silicon transistors so it's a different beast.

They were good enough for Hendrix. Enough said. Mine is a hybrid with a Germanium transistor and a Silicon transistor. Sounds good to me.

I know. Too many nice pedals out there :D

I think is on my future GAS list.

They sound killer in video demos. All the Mk's (although I'm partial to the Mk1, just as I'm partial to the BMP, V1. The other pedal shown in the photo is inspired by that version, rebranded as the Guild Foxey Lady).

Hybrid Germanium/Silicon. The '69 is very tempting indeed.

Diffucult for me to decide which one should I get. This one has a tone knob, but the mk1 sounds terrific too.

It may apply to beans too :p. Seriuosly, something tells me this may not be my last Fuzz Face style pedal.

8 Fuzz Faces!:eek: I get it. Lovely pedal.

Well, thanks to GAS I discovered the Fuzz Face, a set it and forget it pedal that will "teach" me how to use the volume knob.

Too late, I'm afraid :p

No. Not at all. And the Fuzz Face is a very, very interesting pedal. Never had any experiece with it. You can get so many different tones from it by just dialing the volume knob (even with humbuckers). Truly an "always on" pedal.

They arrived today: a Foxey Lady style Muff and a Fuzz Face style pedal. Now I think I need a Tone Bender (not really but:D)

It's a brand called JRR Pedals, from a seller in Reverb called JRR Shop. The pedal sounds very nice in the demo videos, and it's reasonably priced.

I've also read it's good to experiment with the gain knob, sicnce the pedal's tone also changes at different gain levels.

I recently ordered a hybrid Silicon/Germanium Fuzz Face style pedal, and it should arrive soon. According to the builder, it can be pushed with a tube screamer, so I assume it doesn't have the typical FF problems with buffered pedals. I would like to know what tips do you have for this style of...

Yes it does.

Sorry for your loss. RIP Lilly.

Yes. This track is not very Hendrixian, but it features Cosey and it has a monster groove.

Hendrix was kind of present in Filles de Kilimanjaro. Listen to "Tout de Suite" and to "Mademoiselle Mabry", and notice the clear nods to Hendrix. Since almost no one was listening to this kind of music in '67, drummer Tony Williams (21 at that time), persuaded Davis to listen to the stuff the...

The same quintet, four years later, moving closer to fusion. The funny thing is that I keep paying attention to Ron Carter's bass lines on this track. Simple yet tremendously efective. He laid down the groove on which everyone else flew.

When I'm not listening to hard rock and metal, I keep going back to the albums Miles Davis, Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams recorded in the 1960s ... and to their post quintet jazz-fusion works too.

Just checking The Call of the Wretched Sea by them :thumb:

I don't know if this is your cup of tea, but these two cult bands combine doom with black metal