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Don't be a Lame Old Man for the Grammys Tonight!

Discussion in 'Sidewinders Bar & Grille' started by vid1900, Feb 10, 2019.

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  1. LPBlue

    LPBlue "That Guy", again...dammit! Strat-Talk Supporter

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    I never watch awards shows (but have attended when my darlin' won her Gemini) because it reminds me too much of work or a really stiff wrap party.:rolleyes:
     
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  2. vid1900

    vid1900 Senior Stratmaster

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    H.E.R. had a badass Fender custom shop clear Strat.

    It had a good tone.
    g9ite3hvg3aklep3ghc1.jpg
     
  3. vid1900

    vid1900 Senior Stratmaster

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    Janelle Monae's Duo Sonic

    janelle-monae-grammys-2019-performance-01.jpg
     
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  4. vid1900

    vid1900 Senior Stratmaster

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    Post Malone had a sweet Tele

    b2d_ap19042067985689.jpeg
     
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  5. vid1900

    vid1900 Senior Stratmaster

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    Shawn Mendes Tele had a nice, flamey headstock

    shawn.jpg
     
  6. Dick Blackmore

    Dick Blackmore Senior Stratmaster

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    I love Kacey Musgraves, not only is she gorgeous but she is talented and sings like an angel. I saw her at a country music festival a couple of years ago and for some reason her band did not show so she went out and played an acoustic set, her, her guitar and her angelic voice that needs no effects or 'tuning'.

    [​IMG]
     
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  7. pgjstrat

    pgjstrat Strat-Talker

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    Impossible!
     
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  8. vid1900

    vid1900 Senior Stratmaster

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    St. Vincent of course played her own signature Music Man model.

    dua_lipa_and_st._vincent_-1097668856.jpg
     
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  9. vid1900

    vid1900 Senior Stratmaster

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    Album of the Year

    “Golden Hour” — Kacey Musgraves

    Song of the Year

    “This Is America” — Donald Glover and Ludwig Goransson, songwriters (Childish Gambino)

    “Sweetener” — Ariana Grande

    Best Rock Performance

    “When Bad Does Good” — Chris Cornell

    Best Rock Song

    “Masseduction” — Jack Antonoff and Annie Clark, songwriters (St. Vincent)

    Best Rock Album

    “From the Fires” — Greta Van Fleet

    Best Alternative Music Album

    “Colors” — Beck

    Best R&B Performance

    “Best Part” — H.E.R. featuring Daniel Caesar

    Best Urban Contemporary Album

    “Everything Is Love” — The Carters

    Best R&B Album

    “H.E.R.” — H.E.R.

    Best Rap Performance

    “King’s Dead” — Kendrick Lamar, Jay Rock, Future and James Blake and

    “Bubblin” — Anderson .Paak

    Best Rap Song

    “God’s Plan” — Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels and Noah Shebib, songwriters (Drake)

    Best Rap Album

    “Invasion of Privacy” — Cardi B

    Best Country Solo Performance

    “Butterflies” — Kacey Musgraves

    Best Country Album

    “Golden Hour” — Kacey Musgraves

    Best Jazz Instrumental Album

    “Emanon” — The Wayne Shorter Quartet

    Best Latin Pop Album

    “Sincera” — Claudia Brant

    Best Latin Rock, Urban or Alternative Album

    “Aztlán” — Zoé

    Brandi Carlile

    Best Song Written for Visual Media

    “Shallow” — Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt, songwriters (Lady Gaga and Bradley Cooper)

    Producer of the Year, Non-Classical

    Pharrell Williams

    Best Music Video

    “This Is America” — Childish Gambino

    Best Comedy Album

    “Equanimity & the Bird Revelation” — Dave Chappelle

    Best Musical Theater Album

    “The Band’s Visit” — Etai Benson, Adam Kantor, Katrina Lenk and Ari’el Stachel, principal soloists; Dean Sharenow and David Yazbek, producers; David Yazbek, composer and lyricist

    Best Instrumental Composition

    “Blut Und Boden (Blood and Soil)” — Terence Blanchard

    Best Arrangement, Instrumental or A Cappella

    “Stars and Stripes Forever” — John Daversa

    Best Arrangement, Instruments and Vocals

    “Spiderman Theme” — Mark Kibble, Randy Waldman and Justin Wilson, arrangers

    Best Recording Package

    “Masseduction” — Willo Perron, art director

    Best Boxed or Special Limited Edition Package

    “Squeeze Box: The Complete Works of ‘Weird Al’ Yankovic” — Meghan Foley, Annie Stoll and Al Yankovic, art directors

    Best Album Notes

    “Voices of Mississippi: Artists and Musicians Documented by William Ferris” — David Evans, album notes writer

    Best Historical Album

    “Voices of Mississippi: Artists and Musicians Documented by William Ferris” — William Ferris, April Ledbetter and Steven Lance Ledbetter, compilation producers; Michael Graves, mastering engineer

    Best Engineered Album, Non-Classical

    “Colors” — Julian Burg, Serban Ghenea, David “Elevator” Greenbaum, John Hanes, Beck Hansen, Greg Kurstin, Florian Lagatta, Cole M.G.N., Alex Pasco, Jesse Shatkin, Darrell Thorp and Cassidy Turbin, engineers; Chris Bellman, Tom Coyne, Emily Lazar and Randy Merrill, mastering engineers

    [Can the Grammys please anyone?]

    Best Remixed Recording

    “Walking Away (Mura Masa remix)” — Alex Crossan, remixer

    Best Immersive Audio Album

    “Eye in the Sky - 35th Anniversary Edition” — Alan Parsons, surround mix engineer; Dave Donnelly, P.J. Olsson and Alan Parsons, surround mastering engineers; Alan Parsons, surround producer

    Best Contemporary Instrumental Album

    “Steve Gadd Band” — Steve Gadd

    Band Best Gospel Performance/Song

    “Never Alone” — Tori Kelly featuring Kirk Franklin; Kirk Franklin and Victoria Kelly, songwriters

    Best Contemporary Christian Music Performance/Song

    “You Say” — Lauren Daigle; Lauren Daigle, Jason Ingram and Paul Mabury, songwriters

    Best Gospel Album

    “Hiding Place” — Tori Kelly

    Best Contemporary Christian Music Album

    “Look Up Child” — Lauren Daigle

    Best Roots Gospel Album

    “Unexpected” — Jason Crabb

    Best World Music Album

    “Freedom” — Soweto Gospel Choir

    Best Compilation Soundtrack for Visual Media

    “The Greatest Showman” — Hugh Jackman (and Various Artists); Alex Lacamoire, Benj Pasek, Justin Paul and Greg Wells, compilation producers

    Best Score Soundtrack for Visual Media

    “Black Panther” — Ludwig Göransson, composer

    Best New Age Album

    Dave Cobb, Phil Hanseroth and Tim Hanseroth, songwriters

    Best Bluegrass Album

    “The Travelin’ Mccourys” — The Travelin’ Mccourys

    Best Traditional Blues Album

    “The Blues Is Alive and Well” — Buddy Guy

    Best Contemporary Blues Album

    “Please Don’t Be Dead” — Fantastic Negrito

    Best Folk Album

    “All Ashore” — Punch Brothers

    Best Children’s Album

    “All the Sounds” — Lucy Kalantari & the Jazz Cats

    Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling)

    “Faith - A Journey for All” — Jimmy Carter

    Best Regional Mexican Music Album (Including Tejano)

    “¡México Por Siempre!” — Luis Miguel

    Best Tropical Latin Album

    “Anniversary” — Spanish Harlem Orchestra

    Best Regional Roots Music Album

    “No ‘Ane’i” — Kalani Pe’a

    Best Music Film

    “Quincy” — Quincy Jones; Alan Hicks and Rashida Jones, video directors; Paula Dupré Pesmen, video producer

    Best Country Duo/Group Performance

    “Tequila” — Dan + Shay

    Best Country Song

    “Space Cowboy” — Luke Laird, Shane Mcanally and Kacey Musgraves, songwriters

    Best Traditional Pop Vocal Album

    “My Way” — Willie Nelson

    Best Engineered Album, Classical

    “Shostakovich: Symphonies Nos. 4 & 11” — Shawn Murphy and Nick Squire, engineers; Tim Martyn, mastering engineer

    Producer of the Year, Classical

    Blanton Alspaugh

    Best Orchestral Performance

    “Shostakovich: Symphonies Nos. 4 & 11” — Andris Nelsons, conductor

    Best Opera Recording

    “Bates: The (R)evolution of Steve Jobs” — Michael Christie, conductor; Sasha Cooke, Jessica E. Jones, Edward Parks, Garrett Sorenson and Wei Wu; Elizabeth Ostrow, producer

    Best Choral Performance

    “Mcloskey: Zealot Canticles” — Donald Nally, conductor

    Best Chamber Music/Small Ensemble Performance

    “Anderson, Laurie: Landfall” — Laurie Anderson and Kronos Quartet

    Best Classical Instrumental Solo

    “Kernis: Violin Concerto” — James Ehnes; Ludovic Morlot, conductor

    Best Classical Solo Vocal Album

    “Songs of Orpheus - Monteverdi, Caccini, D’india & Landi” — Karim Sulayman; Jeannette Sorrell, conductor; Apollo’s Fire, ensembles

    Best Classical Compendium

    “Fuchs: Piano Concerto ‘spiritualist’; Poems of Life; Glacier; Rush” — Joann Falletta, conductor; Tim Handley, producer

    Best Contemporary Classical Composition

    “Kernis: Violin Concerto” — Aaron Jay Kernis, composer

    Best Dance Recording

    “Electricity” — Silk City and Dua Lipa featuring Diplo and Mark Ronson

    Best Dance/Electronic Album

    “Woman Worldwide” — Justice

    Best Reggae Album

    “44/876” — Sting and Shaggy

    Best Improvised Jazz Solo

    “Don’t Fence Me In” — John Daversa, soloist. Track from: “American Dreamers: Voices of Hope, Music of Freedom”

    Best Jazz Vocal Album

    “The Window” — Cécile Mclorin Salvant

    Best Large Jazz Ensemble Album

    “American Dreamers: Voices of Hope, Music of Freedom” — John Daversa Big Band featuring DACA Artists

    Best Latin Jazz Album

    “Back to the Sunset” — Dafnis Prieto Big Band

    Best Traditional R&B Performance

    “Bet Ain’t Worth the Hand” — Leon Bridges and

    “How Deep Is Your Love” — PJ Morton featuring Yebba

    Best R&B Song

    “Boo’d Up” — Larrance Dopson, Joelle James, Ella Mai and Dijon Mcfarlane, songwriters

    Best Metal Performance

    “Electric Messiah” — High on Fire

    Best Rap/Sung Performance

    “This Is America” — Childish Gambino
     
  10. Lester H

    Lester H Strat-Talker

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    What's Lenny Wolf (Kingdom Come) doing these days? He can get you run out on a rail for sounding like Zeppelin but don't expect a grammy....
     
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  11. Sarnodude

    Sarnodude Senior Stratmaster

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    She has a good voice, too.
     
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  12. Namelyguitar

    Namelyguitar Most Honored Senior Member Strat-Talk Supporter

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    Had a heck of a time determining the 'jazz' winners. Several sites did not have jazz on their list of Grammy awards/ winners last night after the program. Interesting!
     
  13. Paperback Rocker

    Paperback Rocker Nitro-mancer Strat-Talk Supporter

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    Yeah, funny how disrespected Kingdom Come was, and they didn't copy LZ near as closely as GVF tries to do.
     
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  14. vid1900

    vid1900 Senior Stratmaster

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    I lifted the results from https://www.grammy.com/

    Although it would not load for mobile users earlier today.
     
  15. WhiteWabbit

    WhiteWabbit Senior Stratmaster

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    Yea, I enjoyed Her whoever she was.
     
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  16. ZlurkCorzDog

    ZlurkCorzDog INMATE #7XX7XX7 Strat-Talk Supporter

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    I can't help but wonder if that means that the Grammys are no longer interested in Musicians. :oops:
     
  17. Seamus OReally

    Seamus OReally Strat-O-Master Silver Member

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    I used to say I wouldn’t cross the street to see the Grammys. But I would if they were gonna give me one.
     
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  18. Lester H

    Lester H Strat-Talker

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    How the times have changed. I guess we were supposed to forget.

    I liked Kingdom Come and you're right they weren't near as close as GVF. I'll be curious to see what their shelf life will be.

    Somewhere, somebody is patting themselves on the back....pocket....
     
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  19. BuddyHollywood

    BuddyHollywood Strat-Talker

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    This opening post is so terrible it may make me change my views on free speech.
     
  20. StratSounds

    StratSounds Senior Stratmaster

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    Wow, there is some major league judgement being handed down in this thread. We have these pretty cool things called minds and IT IS possible to open them just a wee bit to try and understand what someone else is feeling in THEIR music. It might not be what you consider good or worthy and I know it ain’t easy, believe me, I get it, but as a musician, as a creative mind, try just a little bit of empathy for a minute.

    Now in my humble opinion;), this was the performance of the night. St. Vincent is great, saw her headline an outdoor show in a park here downtown a couple years ago. She sings AND plays great. Loved her squealing high-gain strokes towards the end of that song, that’s some 80’s s#it, and the chemistry between those two was just off the charts, they really should tour together.

    H.E.R. was a surprise too with that acrylic plexi strat. Great voice and good playing. She was an unexpected surprise and I LOVED that she played that strat by itself with just her voice, totally unexpected.
     
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